毕业于北京舞蹈学院编导系，现就职于中国铁路文工团，曾服役于云南西双版纳边防武警机动部队，兼具军旅历练与顶尖艺术底蕴。以顶级舞蹈赛事为标杆，作品屡获国家级、省级荣誉，民族民间舞与舞剧类赛事表现突出；主导多部标杆级文旅实景剧总导演工作，参与国家级舞剧编导，熟稔赛事作品孵化至大型项目落地全流程。舞蹈影像多次入围国际电影节并获认可，是横跨舞台艺术、文旅 IP、舞蹈影像领域，能深度融合舞蹈与多元艺术的核心创作者。

Li Ning (together with his collective “Lingyun Flame”) was born in 1972 in Jinan, Shandong, China. He works across multiple roles as an experimental theater and film director, body-based performance artist, director of photography, editor, and curator of site-specific projects. Li graduated from the Fine Arts Education Department of Shandong University of Arts, with additional studies in sculpture. In 1997, he founded the “Lingyun Flame Physical Guerrilla Group,” and for many years has carried out cutting-edge explorations in physical theater and film. As a theater artist, he has been invited to perform, screen work, and give talks at festivals such as JULIDANS in Amsterdam, the CULTURESCAPES Festival in Switzerland, and others. He has participated in devising work with the French situational theater company Ilimitrof Company, and has led the Lingyun Flame Physical Guerrilla Group on touring performances at the Avignon Festival, the Aurillac Festival of Street Arts, the Gent Arts Festival in Belgium, the Tokyo Festival, the Wuzhen Theatre Festival, the New York “Innovative China” Festival, the Beijing International Youth Theater Festival, the Shenzhen–Hong Kong Bi-City Biennale of Urbanism/Architecture, the Dashanzi Arts Festival in Beijing, and many other events. As a contemporary practitioner of body-based education, he emphasizes the development and systematization of training methods. Drawing on his own background in visual art, he created the performance and training course “Body Sketching and Re-Sketching.” For many years he has actively carried out workshops in universities and communities across different regions, building a bridge between ordinary people and contemporary art, and helping to enhance participants’ physical–mental creativity and aesthetic awareness. He has been invited by institutions such as New York University (NYU), the Central Academy of Fine Arts (CAFA), Hubei Institute of Fine Arts, China Academy of Art, Shandong University, and others to give lectures or teach longer-term courses, and has served as artistic advisor for graduation presentations in fashion design and new media. As an image-maker, he has been selected for and awarded at multiple international film festivals. Representative works such as TAPE and Untitled-3 have been collected by university libraries, art museums, and other museums in Europe and North America. He has received support from multiple foundations to complete his films, including the DOEN Foundation in the Netherlands (which supported Li Ning for three consecutive years in 2006, 2007, and 2008), the EU cultural project “Chin-A-Moves,” as well as the Indie Cinema Fund for Chinese independent film, the Goethe-Institut, and others. As a curator, he has initiated and run platforms for rural and community-based art such as the Fangyu ART Festival in Jinan, the Laiwu International Factory Theatre Festival, and the Qichangcheng Rural Arts Festival. His core belief is: “Space is not merely a stage on which people perform. It is itself a work.” His ideal is: “To let theater once again become a form of public entertainment in everyday life.” He has been called “the initiator of public theater.”

Chun Heehyun is a composer and performer who transforms sound into music, crafting immersive and evolving soundscapes in which music assumes the narrative role traditionally occupied by sound effects. Her work invites audiences to experience sonic texture as an integral cinematic language rather than a supporting element. Drawing on modular synthesis, Eurorack systems, gayageum, haegeum, and janggu compositional structures, she creates richly layered auditory environments that develop organically within filmic and performative contexts. Rooted in a Korean identity shaped by her upbringing in Korea and her musical training in the United States, Chun’s practice is grounded in interdisciplinary inquiry, experimental performance strategies, and a sustained commitment to expressing cultural identity through sound. Chun Heehyun composes original soundtracks for film, live performance, and immersive installations, integrating modular, Eurorack, and electronic instrumentation to expand the boundaries of auditory experience. Through computer-based MIDI orchestration, she reimagines Western orchestral instruments to suggest the timbral qualities of traditional Korean instruments such as the gayageum, haegeum, and janggu, bridging cultural memory and contemporary sonic exploration.

兼具学术背景、多元创作实力与国际视野的影像作者，长期工作于短片摄影指导、纪实摄影与实验影像等领域，擅长通过光影叙事、情感捕捉与先锋表达构建独特的视觉语言。 作为摄影指导，他为《去春天》《诗与歌》等短片确立整体影像基调，同时能独立完成静态摄影与实验影像的创意落地，在不同媒介之间灵活切换并持续拓展风格边界。其作品获得学术与专业层面的双重认可：摄影作品《爱人》收录于《中国摄影》并参展“平行聚会”，多部作品入选“学院摄影奖”等重要展览；纪实系列《雪姐·浩南》获得腾讯新闻年度点击量大奖，并参展“艺术成就梦想”，项目《我们站立的地方》入选中国青年报“微光计划”。 凭借鲜明的视觉表达和稳健的叙事能力，他屡获国际影展肯定。《去春天》获国际银幕舞蹈电影节最佳摄影并入选布加勒斯特国际舞蹈电影节，《诗与歌》在北京国际电影节舞蹈影像季中被评为“最佳极限创作影片”。以学术为基、以创意为翼，李宸玮在多元影像领域持续探索，用镜头解构情感与现实，成为当下极具潜力的新锐影像力量。 主要作品（节选） •短片《去春天》摄影指导，2025 入选国际银幕舞蹈电影节并获最佳摄影，入选布加勒斯特国际舞蹈电影节 •短片《诗与歌》摄影指导，2023 获北京国际电影节舞蹈影像季“最佳极限创作影片” •摄影作品《爱人》作者 参展“平行聚会”，收录于《中国摄影》2023年8月刊 •纪实系列《雪姐·浩南》导演、摄影 腾讯新闻谷雨影像项目，获腾讯新闻年度点击量大奖，参展“艺术成就梦想” •纪录摄影项目《我们站立的地方》摄影 入选中国青年报“微光计划” •摄影作品《惨死乌鸦》作者 参展“第四届学院摄影奖” •实验影像《双击朋克》作者 参展“第五届学院摄影奖”