#What the Ball Are Your Doing?
THEMATIC CALL
A ball has its own logic.
It moves. It repeats. It escapes. It rolls out of line. It refuses to stay still long enough to become only one thing. We are looking for artists, thinkers, movers, makers, and rule-breakers who want to work with the ball not only as object, but as force, symbol, memory, game, control system, absurdity, repetition, choreography, pressure, play, delay, or drift.
DEADLINE
June 20, 2026

DEADLINE
June 20, 2026
OPEN TO
Performance, dance, moving image, photography, installation, sound, text, and interdisciplinary forms.
LOOKING FOR
Strong artistic language, clear conceptual thinking and unusual but precise responses to the prompt.
THE PROMPT
Works that can hold experiment, tension, humor, and thought at the same time.







THE CALL
COME PLAY BALL WITH US
What the Ball Are You Doing?
Take a deep breath and imagine this with us.
Suppose you’re holding a ball right now. Maybe one. Maybe several.
Would you inspect the surface, study its weight, try to understand what it is for?
Would you toss it away?
Would you play with it for a while?
Would you make rules for it?
Would you let it make rules for you?
A ball rises and falls. It bounces, rolls, slips away, returns. It can be used for competition, research, discipline, entertainment, repetition, obsession, or passing time. We give it systems. We assign it function. We expect it to follow a path.
But a ball has its own logic.
It moves. It repeats. It escapes.
It rolls out of line.
It refuses to stay still long enough to become only one thing.
This open call begins there.
We are looking for artists, thinkers, movers, makers, and rule-breakers who want to work with the ball not only as object, but as force, symbol, memory, game, control system, absurdity, repetition, choreography, pressure, play, delay, or drift.
We are interested in works that understand the ball as more than equipment.
We want works that ask what happens when play becomes structure, when structure becomes ritual, when repetition becomes meaning, and when something so ordinary starts to feel slightly uncanny.
We welcome responses across disciplines, including but not limited to:
performance
dance
moving image
photography
installation
sound
text
interdisciplinary and experimental forms
What we are looking for:
strong artistic language
clear conceptual thinking
unusual but precise responses to the prompt
works that can hold play, tension, humor, and thought at the same time
practices that are willing to take the prompt somewhere we did not predict
This call is an invitation into a field of motion, repetition, friction, game, and mischief.
So here’s the real question:
When was the last time you did something with no obvious use?
When was the last time you let time go soft?
When was the last time you played, not to win, not to optimize, not to perform productivity, but simply to enter another relation with the world?
And maybe more importantly:
what is the ball for you?
If you already have an answer, good.
If you don’t, even better.
Come waste five more minutes with us.
Or more than that.
Submit your work.
WHAT WE'RE LOOKING FOR
Strong artistic language
A distinct voice, clear formal choices, and a practice with internal coherence.
Clear conceptual thinking
Ideas that are considered, grounded, and meaningfully articulated.
Unusual but precise responses
Unexpected approaches that remain intentional, focused, and well-resolved.
Holding complexity
Works that can sustain tension, ambiguity, contradiction, or layered meaning without collapsing into vagueness.
Openness to risk
Practices willing to test form, push inquiry further, and take the prompt somewhere alive and necessary.
SUBMISSION GUIDELINES
Please prepare materials that help us understand your work, your practice, and how your submission engages the call.
Project information
Title, medium, year, duration or dimensions, and any key practical details.
Artist Statement
A concise description of the work or proposal and its relation to the prompt.
Work samples
Images, video links, audio, texts, or other materials that best represent the work.
Relevant context
Any additional information that helps us understand the submission more clearly.
Why This Context
ELSEHERE frames open calls as part of a wider artistic field. Selected works enter a public-facing context shaped by editorial attention, curatorial intent, and longer-term artistic dialogue.
Curatorial and editorial context
Your work is seen, read, and positioned within a considered artistic framework.
Public-facing visibility
Selected works may be featured across ELSEHERE’s platforms, releases, and publishing channels.
Longer-term dialogue
We remain attentive to works and practices that may continue into future programs, publications, or collaborations.

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