About ELSEHERE | International Arts Nexus and STRATUM Journal

About

ELSEHERE is an international arts nexus.

ELSEHERE produces, presents and curates visual, kinesthetic and digital forms, collaborating and commissioning across geographies and disciplines.

Works live, die and live again across bodies, memories and digital remains; every individual practice is itself a history. Founded as a sanctuary for experimental and uncatalogued practices, ELSEHERE also serves as a vertical archive where art and culture can circulate before they are classified, and for what exceeds available definitions. It pays particular attention to works and ways of working that are overlooked, marginalised or difficult to place within existing categories, while insisting that these practices deserve to be seen, remembered and thought with.

Connecting with artists, thinkers and institutions, ELSEHERE cultivates plural cultural expressions and evolving aesthetics that move across continents. It supports practices that unsettle established canons and hierarchies, expanding how art can exist in, and be attuned to, a more than human era.

The Field

In a world where works are constantly uploaded, compressed and categorized, meaning becomes fragmented.

Digital speed has overtaken sensorial depth. Algorithms quietly decide what deserves attention and what disappears into the scroll.

Artists, curators and audiences struggle to find spaces where cultural thought can breathe, where gestures, images and sounds can live, die and live again across bodies, memories and digital remains, and where they can exist before and beyond definition.

The Response

ELSEHERE is an international art label and culture platform dedicated to reimagining how art and culture circulates across disciplines, languages and digital terrains.

It operates as both a creative laboratory and a living repository: a place for movement, image and digital form to expand beyond medium and category. Here, every individual practice is treated as a history in itself.

ELSEHERE builds a vertical archive for remanent and often unclassified practices, paying attention to works and ways of working that have been overlooked, marginalised or never fully catalogued, and insisting that they deserve to be seen, remembered and thought with.

Here, art is not streamlined but attuned; not consumed but encountered.

The Future

ELSEHERE builds an ecosystem for what exceeds classification, supporting artists and thinkers who trouble the boundaries between the physical, the digital and the ecological.

Through global collaborations, exhibitions, residencies, publishing and digital curation, ELSEHERE cultivates plural expressions and evolving aesthetics that move across continents and timelines, expanding how art can exist, be archived and be felt in a more than human era.

The Presence

To viewers and collaborators, ELSEHERE offers a different kind of presence.

An invitation to slow down. To witness. To recognise that works live on in bodies, memories and digital traces, and that each practice, each life, is already a line of history.

You are history. Your practice counts. ELSEHERE is here to keep that trace alive.

Once conceived as a vessel for what could not be fully uploaded or classified, ELSEHERE remains committed to what still breathes between worlds.

We believe that art is not what is defined, but what keeps redefining the world.

ELSEHERE gathers fragments, gestures, voices and images that persist beyond the systems built to contain them, and before any single reading can close them down.

A space for what escapes the model,

for what refuses codification,

for what outlives medium,

for the unclassified.

In an age that worships networks, ELSEHERE turns toward the intervals between them, toward tactility, embodiment and the untranslatable, between what is seen and what is sensed.

It cultivates encounters that resist reduction and privileges presence over data, attention over scrolling, relation over reach.

Each work exists as both artifact and apparition, suspended between archive and performance, between the ancient and the synthetic, part relic, part transmission.

ELSEHERE treats these remanent practices and vertical histories as serious ground, where every individual practice is itself a line of history rather than a footnote.

Rather than permanence, attention.

Rather than accumulation, relation.

Rather than display, devotion.

ELSEHERE is not a sealed vault but a passage, an active vertical archive.

For what exceeds classification.

For what refuses to be fully seen.

For what still breathes between worlds.

ELSEHERE is a living archive, a sanctuary for what moves between worlds, and a growing ecology for art and culture that continue to breathe beyond definition.